I was a good boy and organized my slides, set aside new prints for the next mounting and matting session and then decided to reward myself with a little photo play. The weather's too hot, hazy and humid to make lugging a bag full of camera equipment around town. I was reading Polaroid Transfers: A Complete Visual Guide to Creating Image and Emulsion Transfers so I dug out the Daylab slide printer and a pack of Polaroid 669 film. It'd been a while since I'd made any transfers, so I started with the easiest of the image transfers, the wet process. My attempts there worked fairly well, so I got brave and tried a dry transfer. Both of these were from a color slide shot at the Farmers Market a few months ago, just a pile of apples in an old wooden crate.
In reading Carr's transfer book, I discovered that my Daylab printer could also handle negative strips as well as slides. Feeling a bit cocky from my earlier successes with the slide, I took a shot at printing an IR negative shot last winter at the train museum. With some yellow filtration to warm it and add some color, it didn't turn out half bad for a first try. This is a technique I may play with some more. Of course, the exposure and filtration can be refined quite a bit to improve the image, but for an experiment I can live with the results for now.
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